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“She can’t, you know; she and sister have to work hard to make what we spend now. I don’t do half enough myself.”,“I’m ever so hungry, Mumsie.” As she spoke, Isobel glanced at Moses who was sitting dumbfounded before the dainty girl he was meeting for the first time. His face was scarlet; his ears were by nature stiffly folded forward and the light shining through them from an electric globe on the wall made them now glow like red shells.,The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat.,The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores.,“‘Place there the boy,’ the tyrant said,“Moses,” she directed, “git an empty apple-box fer the burnt orfferin’s.”,Mannel Rodd’s round face was very solemn as in two chubby fists he held out a small box containing a number of short knobby specimens.,Several hands waved wildly and a chorus of voices eagerly broke in; through the childish babel could be heard a lisping narrative.,“But your school, my child! You must be educated; you—”,“He was a real little cat Moses, wasn’t he? And you—you must be Pharaoh’s son instead of daughter.” The child laughed and clapped her hands.,The band struck up and, intoxicated with the rhythm of the music, Moses skated as he had never done before. At first an object of amusement to the city boys he became the centre of an admiring throng. His spirals and figure eight’s were such as to call forth envious remarks. Even Clarence Egerton Crump thawed and admitted to several school mates that Moses Wopp was a pretty solid pal, only a bit gawky in his get-up.,“How in the name of orl the aporstles did that hen git in there?” questioned Mrs. Wopp..